英雄的欢迎:在Trachiniae的返乡和过渡

IF 0.7 1区 历史学 0 CLASSICS
E. Kratzer
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引用次数: 1

摘要

在索福克勒斯的《特拉奇尼亚》中,赫拉克勒斯的“归乡”(nostos)被描绘成一个获胜的运动员的凯旋归来。在理想的情况下,诺斯托斯在丈夫和妻子的欢乐再婚中达到高潮,但在《特拉奇尼亚》中,赫拉克勒斯和黛阿涅拉遭遇的逆转将英雄的胜利诺斯托斯变成了死亡的奇观。虽然失败的怀旧主题预示着灾难,并在整个戏剧备受讨论的结局中产生了决定性的凄凉气氛,但它也指向了一个更积极的关于赫拉克勒斯结局的传统,因为花瓶画和早期的诗歌都把赫拉克勒斯的神化——与希比结婚并被宙斯接纳——描绘成一个回家的人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Hero's Welcome: Homecoming and Transition in the Trachiniae
The nostos ("homecoming") of Heracles in Sophocles' Trachiniae figures as the triumphal return of a victorious athlete. Under ideal circumstances, nostos culminates in the joyous remarriage of husband and wife, but in Trachiniae, reversals that befall Heracles and Deianeira transform the hero's triumphant nostos into a spectacle of death. While the failed nostos motif heralds disaster and effects a decisively bleak atmosphere throughout the play's much-discussed ending, it also nods toward a more positive tradition concerning Heracles' end, since both vase-painting and early poetic accounts portray Heracles' apotheosis-featuring marriage to Hebe and reception into Zeus's household-as a homecoming.
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来源期刊
CiteScore
1.30
自引率
0.00%
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0
期刊介绍: Transactions of the APA (TAPA) is the official research publication of the American Philological Association. TAPA reflects the wide range and high quality of research currently undertaken by classicists. Highlights of every issue include: The Presidential Address from the previous year"s conference and Paragraphoi a reflection on the material and response to issues raised in the issue.
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