代表汉达拉姆戏剧神秘快闪酒吧

IF 1 Q3 ECONOMICS
Sindy Novi Nurjanah, Hwang Who Young
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引用次数: 0

摘要

“韩”是一个复杂的韩国社会文化概念,与未解决的怨恨、痛苦、悲伤和愤怒有关。这一概念经常被用在韩国文化作品中,例如JTBC的韩剧《双甲寺》()、《神秘弹出式酒吧》()。它讲述了人物的故事,以及他们如何解决这个问题的过程。因此,本研究以MPUB戏剧为研究对象,观察其表现形式,寻找汉的类型。本研究使用的理论是Andrew Sung Park(1993)关于汉结构的理论。本研究采用定性描述的方法来分析数据,即相关场景的对话。此次研究的结果是,在朴教授所说的九种“汉”中,在剧中发现了五种“汉”。这些形式是:(1)个人的手,意识的-被动的;(2)个体的手:无意识的主动;(3)个体层面:无意识-被动;(4)群体之手:无意识-被动;(5)自然之手。一般来说,戏剧中的主导形式是被动表达的个人的手,因为人物表现的是他们接受手的过程,而不是对它的侵略性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representasi Han dalam Drama Mystic Pop-Up Bar
Han (한恨) is a complicated Korean sociocultural concept which related to unresolved resentment, pain, grief, and anger. This han concept is often used in Korean cultural productions, for instance JTBC Korean drama, “Ssanggappocha (쌍갑포차), Mystic Pop-up Bar (MPUB)”. It tells about the characters’ han stories along with the process of how they resolve it. Therefore, this research used MPUB drama as research object to see the representation and finding the types of han. The theory used in this research is Andrew Sung Park’s theory (1993) about the structure of han. This research uses a qualitative descriptive method to analyze the data which is the dialogues of related scenes. The result of this research is out of nine forms of han according to Park, there are five forms of han discovered in the drama. Those forms are: (1) the han of individual: conscious-passive; (2) the han of individual: unconscious-active; (3) the han of individual: unconscious-passive; (4) the han of group: unconscious-passive; and (5) the han of nature. Generally, the dominant form found in the drama is han of individual expressed in passive way since the characters showed their process of accepting the han rather than being aggressive toward it.
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来源期刊
自引率
12.50%
发文量
10
审稿时长
10 weeks
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