琉球冲诺布国上方言的疑问句语调

Q2 Arts and Humanities
Akiko Yokoyama
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引用次数: 0

摘要

摘要从跨语言的角度来看,是/否问题的语调模式在许多语言中都有出现。然而,在日语方言中有很多关于降调疑问句的报道。据说日本方言中有五种疑问句语调:升调,句尾总是升调;落,句尾总是落的地方;降格2,疑问句在句子中形态上出现,句子降格;补语,如果疑问句出现,句子的语气就会下降,如果没有出现,句子的语气就会上升;逐渐上升,音调逐渐上升,直到句末。然而,国神方言并不遵循这些模式。在Kunigami的yes/no疑问句中,如果疑问句在形态上出现,语气就会下降,如果没有出现,就会显示出与陈述句不同的语调。因此,在国神句中,疑问句语调类型的重构不应以绝对升降为基础,而应以与陈述句的对比为基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The interrogative intonation in the Kunigami dialect of Okinoerabu, Ryukyu
Abstract Cross-linguistically, intonation patterns for yes/no questions rise in many languages. However, there are multiple reports of interrogative sentences with falling intonation in Japanese dialects. It is said that five types of interrogative intonation exist in Japanese dialects: rising, where the end of the sentence always rises; falling 1, where the end of the sentence always falls; falling 2, where the interrogative appears morphologically in the sentence, and the sentence falls; complement, where tone in the sentence falls if the interrogative morphologically appears and rises if it does not; and gradual rise, where the tone gradually rises until the end of the sentence. However, the Kunigami dialect does not adhere to these patterns. In Kunigami yes/no questions, the tone falls if an interrogative morphologically appears but reveals a distinctive intonation from a declarative sentence if it does not. Therefore, in the case of Kunigami, the interrogative intonation typology should not be reconstructed on the basis of absolute rise or fall but on the basis of contrast with a declarative sentence.
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来源期刊
Journal of Japanese Linguistics
Journal of Japanese Linguistics Arts and Humanities-Language and Linguistics
CiteScore
0.20
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21
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