利用电视广播中的诗歌:利用尼日利亚嘻哈歌词中的语言创造力

IF 0.2 4区 艺术学 0 MUSIC
Niyi Akingbe, P. Onanuga
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引用次数: 8

摘要

抒情的独创性对嘻哈的兴起和全球传播产生了影响。这也延伸到了尼日利亚的嘻哈艺术家,他们在电视广播中争夺霸权和相关性。在为自己开拓市场的过程中,尼日利亚嘻哈借鉴了美国嘻哈的全球化元素,同时又强调了本土化元素。结果是一种混合的变体,正如在尼日利亚嘻哈的歌词中显著的前景一样。这里提出的研究是基于文本的,分析了20个精选的尼日利亚嘻哈歌词,重点是其抒情创造力。本文以批判语言文体学为理论框架,重点关注语言创造性使用的前景,特别是在功能转换、新词、词汇再生或意义延伸以及句法独创性方面。这些认识,加上来自土著口头传统的影响,对“全球本地”——即全球和当地的融合——尼日利亚嘻哈的传播具有重要意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Leveraging poetry on the airwaves: appropriating linguistic creativity in Nigerian hip hop lyrics
Abstract Lyrical ingenuity has been influential in the rise and global spread of hip hop. This has extended to Nigerian hip hop artists, who battle for supremacy and relevance on the airwaves. In carving a niche for itself, Nigerian hip hop has appropriated globalised elements from its American counterpart, while simultaneously accentuating elements of domestication. The result is a hybridised variant, as is significantly foregrounded in the lyrics of Nigerian hip hop. The study presented here, which is text-based, analyses twenty selected Nigerian hip hop lyrics with a focus on its lyrical creativity. Relying on critical linguistic stylistics as a theoretical framework, the paper’s overarching concern is the foregrounding of the creative use of language, particularly with regard to functional conversion, neologism, lexical regeneration or extension of meaning, and syntactic ingenuity. These realisations, alongside influences from indigenous oral traditions, are significant in the propagation of the ‘glocal’ – that is, a blend of the global and the local – Nigerian hip hop variety.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
2
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