刘清提犬的重生与天犬的仪式生涯——《宝卷》中穆莲母亲的重铸

Q2 Arts and Humanities
Xiaosu Sun
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引用次数: 3

摘要

在唐代敦煌变文(汴文)中,关于穆连从阴间救出他的母亲,孝顺的和尚穆连的母亲刘青体夫人,一旦她的罪孽被洗净,就被允许升到Trāyastriṃśa天堂。在这个传说最广为流传的版本中,也有一个类似的圆满结局。然而,在帝制晚期和现代的许多宝卷中,清帝被描绘成一个顽固不化的罪人,当他转世为狗后,他仍然行为不轨。例如,在江苏南部常熟现在使用的关于木连的宝卷中,在一种驱邪和确保怀孕成功的仪式中,青体以天狗的形式出现——一种邪恶的、吃婴儿的星灵,能够导致流产或新生儿死亡。本文通过对常熟一场驱逐天狗仪式的田野调查与文本分析相结合,探讨了刘清体在宝娟文学中的重塑方式。我特别考虑青缇未开化的灵魂母题,以及它与她在宝娟朗诵中作为天狗的仪式生涯的关系。特别注意这些仪式的不同仪式背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Liu Qingti's Canine Rebirth and Her Ritual Career as the Heavenly Dog: Recasting Mulian's Mother in Baojuan (Precious Scrolls) Recitation
In the Tang dynasty Dunhuang transformation text (bianwen) about Mulian rescuing his mother from the underworld, Madame Liu Qingti, mother of the filial monk Mulian, is allowed to ascend to the Trāyastriṃśa Heaven once her sins have been purged. A similar happy ending is found in the most widespread versions of the legend. However, in many baojuan (precious scrolls) from the late imperial period and the modern era, Qingti is depicted as an inveterate sinner who continues to misbehave when reborn as a dog. For example, in the baojuan about Mulian used nowadays in Changshu, southern Jiangsu province, in a ritual to expel evil spirits and ensure a successful pregnancy, Qingti appears as the Heavenly Dog—a malign, infant-eating star spirit capable of causing miscarriage or neonatal death. This paper combines fieldwork on a ritual to expel the Heavenly Dog in Changshu and textual analysis to explore the ways in which Liu Qingti has been recast in baojuan literature. I consider, in particular, the motif of Qingti's unenlightened soul, and its relation to her ritual career as the Heavenly Dog in baojuan recitation. Special attention is paid to the different ritual contexts of such rituals.
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来源期刊
CHINOPERL: Journal of Chinese Oral and Performing Literature
CHINOPERL: Journal of Chinese Oral and Performing Literature Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
0
期刊介绍: The focus of CHINOPERL: Journal of Chinese Oral and Performing Literature is on literature connected to oral performance, broadly defined as any form of verse or prose that has elements of oral transmission, and, whether currently or in the past, performed either formally on stage or informally as a means of everyday communication. Such "literature" includes widely-accepted genres such as the novel, short story, drama, and poetry, but may also include proverbs, folksongs, and other traditional forms of linguistic expression.
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