消费韩国流动民族:首尔、错位和(食物)媒体的归属感寻找

IF 0.5 2区 艺术学 0 FILM, RADIO, TELEVISION
Ellie Choi
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引用次数: 0

摘要

摘要:从20世纪80年代开始,作为对首尔超现代性的回应,城市和乡村的地形出现在韩国电影的想象中。在田园诗般的乡村和隐藏在城市中的房间里休息的场景通常描绘的是饮食,这表明全球媒体将身份与地点联系起来的趋势。今天,电视、电影和数字媒体都流入平板电脑,这些图像影响了韩国“移动国家”的虚拟团结,这是一个由国内外观众共同消费“韩国(n food)”的在线社区。当消费者参与定时聊天和上传内容时,令人回味的食物场景会让人产生归属感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media
ABSTRACT:From the 1980s on, topographies of the city and country emerged in the Korean cinematic imagination as reactions to Seoul's hypermodernity. Scenes of resting in an idyllic countryside and in rooms hidden within the city often depict eating, indexing a global media trend of linking identity to place. Today, television, film, and digital media are streamed into tablets, and these images affect virtual togetherness in a Korean "mobile nation," an online community of domestic and international viewers consuming "Korea(n food)" together, interstitially. Evocative foodscapes conjure affects of belonging as consumers engage in timed chats and upload content.
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来源期刊
JCMS-Journal of Cinema and Media Studies
JCMS-Journal of Cinema and Media Studies FILM, RADIO, TELEVISION-
CiteScore
1.20
自引率
0.00%
发文量
39
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