{"title":"昆虫的视角","authors":"J. Greer","doi":"10.1163/22145966-07101010","DOIUrl":null,"url":null,"abstract":"This article is concerned with representations of insects and insect habitats in late nineteenth- and early twentieth-century Dutch art and print culture. It adopts an eco-critical approach, with an eye toward multispecies studies. The article considers the ecologically conceived image of bees, butterflies, and other insects gathering pollen from a wide range of flowering plant life in Theo van Hoytema’s lithograph announcing the Biological Exhibition: the Life of Plants and Animals held in 1910 at the Royal Zoological Botanical Gardens in The Hague. This closely observed water’s-edge environment is considered in the context of the wider body of works on paper done by Van Huitema especially during the seminal period of the 1890s, and within the growing print culture surrounding the Dutch naturalist and environmental movements in the early years of the twentieth century.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"An insect’s-eye view\",\"authors\":\"J. Greer\",\"doi\":\"10.1163/22145966-07101010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article is concerned with representations of insects and insect habitats in late nineteenth- and early twentieth-century Dutch art and print culture. It adopts an eco-critical approach, with an eye toward multispecies studies. The article considers the ecologically conceived image of bees, butterflies, and other insects gathering pollen from a wide range of flowering plant life in Theo van Hoytema’s lithograph announcing the Biological Exhibition: the Life of Plants and Animals held in 1910 at the Royal Zoological Botanical Gardens in The Hague. This closely observed water’s-edge environment is considered in the context of the wider body of works on paper done by Van Huitema especially during the seminal period of the 1890s, and within the growing print culture surrounding the Dutch naturalist and environmental movements in the early years of the twentieth century.\",\"PeriodicalId\":29745,\"journal\":{\"name\":\"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/22145966-07101010\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22145966-07101010","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章是关于昆虫和昆虫栖息地的代表在十九世纪末和二十世纪初荷兰艺术和印刷文化。它采用一种生态批判的方法,着眼于多物种研究。这篇文章考虑了Theo van Hoytema于1910年在海牙皇家动物植物园举办的生物展览:植物和动物的生命的石版画中蜜蜂、蝴蝶和其他昆虫从各种开花植物中收集花粉的生态构想图像。这种密切观察的水边环境被认为是在Van Huitema更广泛的纸上作品的背景下进行的,特别是在19世纪90年代的开创性时期,以及在20世纪初荷兰自然主义者和环境运动周围不断增长的印刷文化中。
This article is concerned with representations of insects and insect habitats in late nineteenth- and early twentieth-century Dutch art and print culture. It adopts an eco-critical approach, with an eye toward multispecies studies. The article considers the ecologically conceived image of bees, butterflies, and other insects gathering pollen from a wide range of flowering plant life in Theo van Hoytema’s lithograph announcing the Biological Exhibition: the Life of Plants and Animals held in 1910 at the Royal Zoological Botanical Gardens in The Hague. This closely observed water’s-edge environment is considered in the context of the wider body of works on paper done by Van Huitema especially during the seminal period of the 1890s, and within the growing print culture surrounding the Dutch naturalist and environmental movements in the early years of the twentieth century.