辨别爱,恢复希望:卡森·麦卡勒斯的《心是一个孤独的猎人》中的“寻找上帝”

IF 0.1 4区 哲学 0 LITERATURE
Matthew L. Helm
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引用次数: 0

摘要

摘要:尽管卡森·麦卡勒斯将写作行为描述为“寻找上帝”,但关于她的处女作《心是孤独的猎人》(1940)的大部分学术研究都对宗教在维持政治默许和充满希望的自我欺骗方面所扮演的角色持怀疑态度。本文采用一种仁慈的解释学方法,认真对待麦卡勒斯的信仰以及文本的特殊宗教性。因此,我从麦卡勒斯写的“寻找上帝”的角度来看待这部小说,其中“寻找”以爱的洞察力的形式出现,“上帝”指的是人与人之间关系中希望的恢复力量。首先,我认为小说对世俗主义和宗教的含蓄批判是后世俗的,因为它承认它们在延续种族隔离方面的共同作用,而没有将宗教贬低为大众的马克思主义鸦片。小说把精神意识作为克服社会和精神孤立的一种手段。其次,我重读了小说中的爱情关系,明白了爱情不是稀缺的资源,也不会限制个人自由。人与人之间的爱是相互振兴的,是小说希望的主要来源。最后,我强调对小说中人物有精神体验的时刻的协调,在这些时刻,他们瞥见了上帝的地平线,并考虑了所有存在的对话相互关系。这些精神体验的场景远非自欺欺人,而是建立在小说的关系和责任主题之上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Discerning Love, Recuperating Hope: The "Search for God" in Carson McCullers's The Heart is a Lonely Hunter
ABSTRACT:Even though Carson McCullers described the act of writing as a "search for God," much of the scholarship concerning her debut novel The Heart Is a Lonely Hunter (1940) is suspicious of the role that religion plays in maintaining political acquiescence and hopeful self-deception. Adopting a charitable hermeneutic, this essay takes seriously McCullers' faith as well as the particular religiousness of the text. Therefore, I encounter the novel in terms of McCullers' written "search for God," in which the "search" takes the form of loving discernment and "God" refers to the recuperative power of hope located within the relationships between persons. First, I posit that the novel's implicit critique of both secularism and religion is postsecular because it acknowledges their joint imbrication in perpetuating racialized segregation without reducing religion to a Marxist opiate of the masses. The novel takes seriously spiritual consciousness as a means of overcoming social and spiritual isolation. Second, I re-read the loving relationships in the novel with the understanding that love is not a resource in rare supply, nor does it place limits on personal freedom. Love between persons is mutually revitalizing and is the novel's primary source of hope. Finally, I stress an attunement to the moments in the novel in which characters have spiritual experiences—revelations during which they glimpse the horizon of God and consider the dialogic interrelatedness of all being. Far from self-delusions, these scenes of spiritual experience build on the novel's themes of relationality and answerability.
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