Ecofeminist教育学

IF 0.5 0 PHILOSOPHY
Lincoln J Houde, Connie Bullis
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引用次数: 11

摘要

对于学术背景下的生态女权主义者来说,课堂是另一个“有争议的领域”,转型的生态文化工作应该在这里整合。在我们的案例中,我们是传播学研究的一部分,并试图采用生态女性主义的洞察力作为质疑主导话语和实践的立场。为了做到这一点,我们“将流行文化作为政治和分析的严肃对象”(Giroux 1997,148)。我们希望大众文化可以作为一种生态女性主义的工具,打破霸权权力关系,鼓励批判关系意识。本文试图将生态女性主义批评与大众文化结合起来,运用生态女性主义教学法。它始于生态女性主义者对“动物-工业-综合体”的批判(Noske 1989)。在这一批判中,话语道德主体被置于以人类为中心和以男性为中心的文化中(Payne 1994)。然后,它阐述了一种生态女权主义的教学哲学,并描述了这种哲学是如何在一个案例中应用的,使用的是黄金时段电视卡通中的一集。最后,通过本探索性案例得出结论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ecofeminist Pedagogy

For ecofeminists within academic contexts, the classroom is another “contested terrain” where transformative eco-cultural work should be integrated. In our case, we are a part of communication studies and try to adopt ecofeminist insight as a position for questioning dominant discourses and practices. To do this, we “incorporate popular culture as a serious object of politics and analysis” (Giroux 1997, 148). It is our hope that popular culture can be used as an ecofeminist tool for interrupting hegemonic power relations and encouraging critical-relational consciousness.

This paper reports an exploratory effort aimed at combining ecofeminist critiques with popular culture to employ an ecofeminist pedagogy. It begins with an ecofeminist critique of the “animal-industrial-complex” (Noske 1989). In this critique, discursive moral agents are situated within the anthropocentric and androcentric culture (Payne 1994). It then articulates an ecofeminist teaching philosophy and describes how that philosophy was applied in one case using an episode from a prime time television cartoon. Finally, it draws conclusions about what is accomplished through this exploratory case.

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CiteScore
0.90
自引率
0.00%
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