比声音更大:牙买加华人雷鬼基础设施

IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Small Axe Pub Date : 2020-11-01 DOI:10.1215/07990537-8749806
Tao Leigh Goffe
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引用次数: 3

摘要

摘要:本文考察了20世纪50年代加勒比文化资本的政治经济学和牙买加雷鬼音乐的形成。通过对独立前牙买加声音中亚非之间的亲密关系和紧张关系的研究,本文将“声音系统”的诞生追溯到当地的小型零售杂货店网络,这些商店遍布牙买加,由牙买加华人店主拥有和经营,并研究了他们如何形成物质基础设施。他为雷鬼音乐的制作和全球传播创造了条件。因此,牙买加华人侨民的资本和人才网络,制作和表演,帮助设计了雷鬼音乐向农村地区和城市舞厅聚会的流动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bigger than the Sound: The Jamaican Chinese Infrastructures of Reggae
Abstract:This essay examines the political economy of Caribbean cultural capital and the formation of reggae in Jamaica in the 1950s. Through study of the Afro-Asian intimacies and tensions embedded in the sound of preindependence Jamaica, the essay traces the birth of the "sound-system" to the networks of local small-retail grocery shops, ubiquitous across Jamaica, that were owned and operated by Jamaican Chinese shopkeepers and examines how they formed material infrastructures. In charting the hardwiring of speakers and how the sociality of the shop housed the production of a new sound, the essay argues that sonic innovation was derived from Afro-Jamaican servicepeople who returned from World War II with military technological expertise, which they applied to sound engineering, and from entrepreneurial guilds of Jamaican merchants and shopkeepers of Chinese, Afro-Chinese, and Indo-Chinese descent, who helped form the conditions of possibility for the production and global distribution of reggae. Thus the networks of Jamaican Chinese diasporic capital and talent, producing and performing, helped to engineer the electrical flows of reggae to rural areas and urban dancehall parties.
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来源期刊
Small Axe
Small Axe HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
16.70%
发文量
34
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