{"title":"\"历史争论\"还是\"牛仔和印第安人\"?阿诺德·威斯克改编自亚瑟·库斯勒的《夜贼》的电视剧本","authors":"Axel St�hler","doi":"10.1353/jfn.2017.a724373","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":40351,"journal":{"name":"Jewish Film & New Media-An International Journal","volume":"4 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Historical Argument\\\" or \\\"Cowboys and Indian\\\"? Arnold Wesker's TV Screenplay of Arthur Koestler's Thieves in the Night\",\"authors\":\"Axel St�hler\",\"doi\":\"10.1353/jfn.2017.a724373\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":40351,\"journal\":{\"name\":\"Jewish Film & New Media-An International Journal\",\"volume\":\"4 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2017-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jewish Film & New Media-An International Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/jfn.2017.a724373\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jewish Film & New Media-An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jfn.2017.a724373","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
期刊介绍:
Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.