“天哪,他们在搞什么鬼!”

IF 0.3 N/A LITERARY THEORY & CRITICISM
Katherine Weiss
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引用次数: 0

摘要

在塞缪尔·贝克特(Samuel Beckett)的《快乐时光》(Happy Days)中,主人公温妮回忆起自己被一个无礼的路人盯着看。尽管她忍受着这个粗鲁的家伙的痛苦,他的外表代表着父权的凝视,但年迈的温妮寻求丈夫和观众的关注。在她需要被关注的时候,也就是被关注的时候,温妮显示出她并不温顺。她深情地回忆起她过去的男人,并愉快地看着她从伴侣威利那里得到的一张色情明信片。贝克特的戏剧通过对女性凝视的探索,将父权凝视复杂化——这种凝视揭示了温妮对性亲密的渴望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Heavens What Are They Up To!”
In Samuel Beckett’s Happy Days, the protagonist Winnie recalls being gawked at by an offensive passerby. Despite the pain she endures from this crude fellow whose looking represents the patriarchal gaze, the aging Winnie seeks attention from her husband and the audience. In her need for attention, that is to-be-looked-at, Winnie reveals that she is not meek. She fondly recollects men from her past and with pleasure looks at a pornographic postcard she takes from her partner, Willie. Beckett’s play complicates the patriarchal gaze with its exploration of the female gaze—a gaze that reveals Winnie’s desire for sexual intimacy.
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CiteScore
0.30
自引率
0.00%
发文量
22
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