{"title":"William Alabaster’s Notebooks","authors":"F. Porcheddu","doi":"10.1086/717097","DOIUrl":null,"url":null,"abstract":"This essay announces the identification of five large seventeenth-century notebooks in the Cambridge University Library as the work of English theologian and poet William Alabaster (1567–1640) and provides a general physical description of the volumes favoring their English-language contents. It provides an overview of the current critical landscape of Alabaster’s biography and writing, describes his unique linguistic and kabbalistic Christian projects, and discusses how the “nonsense” visible in his notebooks led to their miscataloging in the nineteenth century. The essay itself is followed by transcriptions of six previously unknown poems from the notebooks, the longest of which, “The Office of the Blessed Virgin,” is a masterwork of linguistic and liturgical transformation.","PeriodicalId":39606,"journal":{"name":"Spenser Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Spenser Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/717097","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章宣布了剑桥大学图书馆中五本17世纪的大笔记本的鉴定,这些笔记本是英国神学家和诗人威廉·阿拉巴斯特(William Alabaster, 1567-1640)的作品,并提供了对这些卷的总体物理描述,这些卷倾向于它们的英语内容。它提供了对雪花石膏传记和写作的当前批评景观的概述,描述了他独特的语言和卡巴拉基督教项目,并讨论了他的笔记本中可见的“废话”如何导致19世纪的错误编目。在这篇文章之后,还抄写了六首以前不为人知的诗集,其中最长的一首《圣母的办公室》(The Office of The Blessed Virgin)是语言学和礼仪转变的杰作。
This essay announces the identification of five large seventeenth-century notebooks in the Cambridge University Library as the work of English theologian and poet William Alabaster (1567–1640) and provides a general physical description of the volumes favoring their English-language contents. It provides an overview of the current critical landscape of Alabaster’s biography and writing, describes his unique linguistic and kabbalistic Christian projects, and discusses how the “nonsense” visible in his notebooks led to their miscataloging in the nineteenth century. The essay itself is followed by transcriptions of six previously unknown poems from the notebooks, the longest of which, “The Office of the Blessed Virgin,” is a masterwork of linguistic and liturgical transformation.