隐喻的两种模式与隐喻研究的三个困境

Q1 Arts and Humanities
G. Sonesson
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引用次数: 3

摘要

本文从经典隐喻理论出发,考虑了重叠模型和张力模型两种模型,这两种模型之间的区别在传统隐喻理论中可能没有被阐明。尽管后者具有亚里士多德的血统,但它可能不如重叠模型普遍有效,至少如果对张力的要求非常高的话。Lakoff和Johnson所区分的隐喻,就像古典修辞学的catachresis一样,满足了重叠模型,但以一种僵化的形式,这一事实表明,两者都可能以同样的方式,通过对句子的一些修改或添加而从睡眠中唤醒。然而,后来Lakoff和Johnson所说的原始隐喻,实际上并不符合这些模型中的任何一个。它们实际上是人类化身的延伸。因此,它们实际上是图解,在这个意义上,皮尔斯将它们与隐喻对立起来。我们继续讨论语言隐喻和图像隐喻之间的异同,认为一些隐喻结构更倾向于在图像中工作,而另一些更倾向于在语言中工作,尽管也有一些结构对两者都是共同的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Two models of metaphoricity and three dilemmas of metaphor research
Abstract Starting out from classical metaphor theory, I consider two models, the Overlap model and the Tension model — the difference between which may not have been spelled out in that tradition. Although the latter has an Aristotelian pedigree, it may be less generally valid than the Overlap model, at least if the requirement for tension is placed very high. The metaphors distinguished by Lakoff and Johnson, like the catachresis of classical rhetoric, fulfils the Overlap model, but in a petrified form, as is shown by the fact that both may, in the same way, be awakened from their slumber by some modification or addition to the sentence. What Lakoff and Johnson, later on, call primary metaphors, however, does not really correspond to any of these models. They are quite literally extensions of human embodiments. Thus, they are actually diagrams, in the sense in which Peirce opposes them to metaphors. We go on to discuss similarities and differences between verbal and pictorial metaphors, arguing that some metaphorical configurations are more apt to work in pictures and others in language, although there are also some configurations which are common to both.
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来源期刊
Cognitive Semiotics
Cognitive Semiotics Arts and Humanities-Language and Linguistics
CiteScore
2.30
自引率
0.00%
发文量
14
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