表明立场:中世纪晚期声乐复调中的空间因素

IF 0.1 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Kevin N. Moll
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引用次数: 2

摘要

假设声音的空间方面是中世纪音乐家潜在的物质关注点,本研究探讨了从13世纪中期到15世纪中期进行的声乐复调中表演者的相对物理位置问题。本文从对精选的代表性手抄本中声部格式的分析入手,指出在近200年的文献中,对开本格式存在着明显的一致性。这一结果表明,只有有限数量的规范声部配置,它们本身与各种音乐风格中声音类型的声学特性和对位功能有关。这一证据表明,在中世纪晚期,表演者位置的惯例确实存在,并且有意识地尝试通过空间手段,在对位中清晰地投射声音功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Taking a stand : The spatial factor in vocal polyphony of the late medieval era
Assuming the spatial aspect of sound to have been potentially a material concern to medieval musicians, this study explores the issue of relative physical placement of the performers in vocal polyphony as it was practiced from the mid-thirteenth through the mid-fifteenth centuries. Proceeding from an analysis of voice-part formatting in selected representative codices, the study points out the pronounced consistencies that exist in the folio format of the manuscripts consulted, which span a period of nearly 200 years. This result points to there having been only a limited number of normative voice-part dispositions, which themselves arguably correlate with the acoustical properties and contrapuntal functions of voice types in various musical styles. This evidence indicates that conventions of performers’ placement did in fact exist throughout the late medieval era, and that a conscious attempt was being made to effect, through spatial means, a clear projection of voice functions in counterpoint.
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来源期刊
Viator - Medieval and Renaissance Studies
Viator - Medieval and Renaissance Studies Arts and Humanities-History
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0.20
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