{"title":"当代艺术视野中的审美形式主义","authors":"Edvardas Rimkus","doi":"10.6001/fil-soc.v33i3.4777","DOIUrl":null,"url":null,"abstract":"In a narrow sense, the formalistic conception of art cannot range and explain a wide variety of contemporary art phenomena. In a wide sense, formalism – rejecting the reductionist definition of the essence of art, involving the conceptual dimension of the artwork, and expanding the dimension of sensibility – becomes a productive philosophical art theory allowing one to explain and investigate some part of the contemporary art (modern and postmodern) phenomena. In the expanded conception, the basic principles of aesthetic formalism include a wide scale of the principles of the creation and comprehension of the artwork – from an abstract form (perceived by senses) to a conceptual form. The article gives an illustration of these principles discussing abstractionism and surrealism as two different types of the contemporary formalistic visual art.","PeriodicalId":43648,"journal":{"name":"Filosofija-Sociologija","volume":"72 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Aesthetic Formalism in the View of Contemporary Art\",\"authors\":\"Edvardas Rimkus\",\"doi\":\"10.6001/fil-soc.v33i3.4777\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In a narrow sense, the formalistic conception of art cannot range and explain a wide variety of contemporary art phenomena. In a wide sense, formalism – rejecting the reductionist definition of the essence of art, involving the conceptual dimension of the artwork, and expanding the dimension of sensibility – becomes a productive philosophical art theory allowing one to explain and investigate some part of the contemporary art (modern and postmodern) phenomena. In the expanded conception, the basic principles of aesthetic formalism include a wide scale of the principles of the creation and comprehension of the artwork – from an abstract form (perceived by senses) to a conceptual form. The article gives an illustration of these principles discussing abstractionism and surrealism as two different types of the contemporary formalistic visual art.\",\"PeriodicalId\":43648,\"journal\":{\"name\":\"Filosofija-Sociologija\",\"volume\":\"72 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-09-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Filosofija-Sociologija\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.6001/fil-soc.v33i3.4777\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Filosofija-Sociologija","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.6001/fil-soc.v33i3.4777","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
Aesthetic Formalism in the View of Contemporary Art
In a narrow sense, the formalistic conception of art cannot range and explain a wide variety of contemporary art phenomena. In a wide sense, formalism – rejecting the reductionist definition of the essence of art, involving the conceptual dimension of the artwork, and expanding the dimension of sensibility – becomes a productive philosophical art theory allowing one to explain and investigate some part of the contemporary art (modern and postmodern) phenomena. In the expanded conception, the basic principles of aesthetic formalism include a wide scale of the principles of the creation and comprehension of the artwork – from an abstract form (perceived by senses) to a conceptual form. The article gives an illustration of these principles discussing abstractionism and surrealism as two different types of the contemporary formalistic visual art.