有犹太牛奶吗?:筛选爱泼斯坦和范桑特的交叉电影史

IF 0.1 0 FILM, RADIO, TELEVISION
Helene Meyers
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引用次数: 0

摘要

罗布·爱泼斯坦的《哈维·米尔克的时代》(美国,1984年)和格斯·范·桑特的《米尔克》(美国,2008年)是两部主要的电影,讲述了同性恋政治家和活动家哈维·米尔克(1930-1978年)的生活和悲惨的戏剧性死亡,被广泛认为是酷儿电影经典的一部分,但很少被归类为犹太电影。虽然爱泼斯坦的电影巧妙地呈现了一种“犹太风格”的牛奶,但范·桑特的《牛奶》中的犹太性却不那么确定;然而,一种根深蒂固的犹太男女同性恋者将米尔克视为自己的一员的模式——我称之为“犹太哄骗”——使得犹太人接受了米尔克。质疑和质疑米尔克的犹太性(这个人和那些声称代表他的生活和时代的电影)阐明了犹太性继续被电影传达或粉饰的复杂方式,以及酷儿和犹太电影史之间的交叉点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Got Jewish Milk?: Screening Epstein and Van Sant for Intersectional Film History
Rob Epstein's The Times of Harvey Milk (USA, 1984) and Gus Van Sant's Milk (USA, 2008), the two major films that narrate the life and tragically dramatic death of gay politician and activist Harvey Milk (1930–1978), are widely recognized as part of the queer cinematic canon but are less often categorized as Jewish films. While Epstein's film adroitly presents a "Kosher-style" Milk, the Jewishness of Van Sant's Milk is less certain; however, a well-established pattern of gay and lesbian Jews citing Milk as one of their own—what I term "Jewqhooing"—enabled a Jewish reception of Milk. Querying and queerying the Jewishness of Milk (the man as well as the movies that purport to represent his life and times) illuminate the complex ways Jewishness continues to be cinematically conveyed or whitewashed as well as the intersections between queer and Jewish film history.
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来源期刊
CiteScore
0.50
自引率
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期刊介绍: Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.
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