立陶宛庄园住宅室内分离主义风格的流行

Q3 Arts and Humanities
Rimantė Baratinskienė
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引用次数: 0

摘要

这篇文章的目的是展示在立陶宛庄园内部的分离dassacor的实施。分离派风格与历史主义风格非常不同,流行的时间很短,这就是为什么它没有在整个欧洲流行起来的原因。这种有机风格通常与城市文化密切相关,但在过去,立陶宛的主要文化生活是在庄园中发展起来的。然而,分离派风格的装饰和室内设计在庄园住宅中并不像在城市建筑中那样流行。正因为如此,分离主义风格的所有细节和元素对于立陶宛的文化遗产都是非常重要的。Renavas、Rokiškis、Gelgaudiškis、Paežeriai、Burbiškis和Šešuolėliai庄园住宅的室内设计展示了分离派风格是如何在立陶宛乡村产生的。新的风格带来了变化,例如不对称的立面,新的平面图和私人空间的感觉,以及新的内部装饰。立陶宛内部分离主义风格的图像材料是罕见的,但是,通过将其与历史,艺术和多色研究相结合,可以描述立陶宛庄园内部分离主义风格的细节。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Prevalence of Secession Style Décor Elements in Interiors of Lithuanian Manor Residences
Summary This article’s aim is to demonstrate the secession décor’s implementation in manor house interiors throughout Lithuania. Secession style is very different from historicist styles and was popular for a short period of time, which is why it did not gain popularity in all Europe. This organic style is usually closely related to urban culture, but, in the past, the main cultural life in Lithuania developed in manors. Nevertheless, secession style décor and interior design was not as popular in manor houses as in city buildings. Because of that, all details and elements of secession style are very important for Lithuania’s cultural heritage. Several examples from Renavas, Rokiškis, Gelgaudiškis, Paežeriai, Burbiškis, and Šešuolėliai manor residences’ interiors show how secession style was created in Lithuanian countryside. The new style brought changes, such as asymmetric facades, new floor plans and perception of private space, and new interior décor. Iconographic material of secession style décor elements in interiors of Lithuania is rare, but, by combining it with historical, art, and polychromic research, it is possible to describe the details of secession style in the interiors of Lithuanian manor houses.
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来源期刊
Art History and Criticism
Art History and Criticism Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
0.00%
发文量
7
审稿时长
24 weeks
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