少女和梅尔维尔

Q2 Arts and Humanities
M. Winger
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引用次数: 0

摘要

摘要:在《欢愉派对之后》中,赫尔曼·梅尔维尔塑造了一个“内心动荡,大脑叛逆”的女人,这似乎与梅尔维尔在其他地方表达的观点不一致,即女人“感觉”,但不“理性”。对此的部分解释可以从丁尼生勋爵的《阿尔弗雷德公主》中的一个角色中找到。虽然这首诗和梅尔维尔的诗之间的联系已经得到了承认,但它们主要是基于主题的相似性,遗漏了诗歌中的一些要点。仔细阅读这两部作品,你会发现梅尔维尔如何从丁尼生那里吸收语言和人物,并根据自己的目的对它们进行改造。丁尼生对公主面前的美好未来的憧憬被梅尔维尔用相似和对比的语言颠倒过来,形成了丁尼生角色的绝望的憧憬。梅尔维尔的性格可能是由丁尼生诗歌中的关键人物未婚姑妈暗示出来的;我认为是这位少女阿姨引起了梅尔维尔的注意,并启发了他在《欢宴之后》中为另一位少女创作的独白
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Maidens and Melville
Abstract:In "After the Pleasure Party" Herman Melville presents a woman with both "turbulent heart and rebel brain," who seems out of keeping with Melville's view, expressed elsewhere, that women "feel," but do not "reason." The explanation for this may lie partly in a character in Alfred, Lord Tennyson's The Princess. While connections between that poem and Melville's have been recognized, they are based chiefly on similarities of theme, missing some points in the poetry. A careful reading of the two works shows how Melville absorbed language and characters from Tennyson, and reshaped them to his own purpose. Tennyson's vision of a bountiful future lying before his princess is inverted by Melville, with both similar and contrasting language, to form his character's vision of despair. Melville's character may have been suggested by the maiden aunt who is a key figure in Tennyson's poem; I propose that this maiden aunt caught Melville's attention, and helped to inspire the monologue he created for another maiden in "After the Pleasure Party."
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来源期刊
Leviathan (Germany)
Leviathan (Germany) Arts and Humanities-Language and Linguistics
CiteScore
1.40
自引率
0.00%
发文量
21
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