几乎忘记了科尔加德对文化的批评在丹麦战后的危机演讲中所造成的后果

IF 0.2 N/A PHILOSOPHY
Hjördis Becker-Lindenthal
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引用次数: 0

摘要

摘要本文考察了克尔凯郭尔在丹麦《异端》杂志(hertica, 1948 - 1954)的文坛文化批评中所扮演的显性和隐性角色。克尔凯郭尔和战后丹麦著名作家(马丁·a·汉森、维赫姆·格恩贝克、比约恩·保尔森、塔奇·斯库-汉森和奥勒·维维尔)的文化批评是在西方文化批评传统的背景下进行的。通过对危机、理性、精神和反思以及异化、个性和共同体等核心概念的分析,展示了这些作者对现代文化理解的原创性贡献。此外,这篇文章指出了一些异端作者对克尔凯郭尔的保留意见。然而,对唯我论的指责是毫无根据的。相反,很明显,克尔凯郭尔对个人的强调,就像战后作家对法西斯主义的批评一样,是针对大众的权力和日益增长的生活官僚化的。最后,克尔凯郭尔以及20世纪的作家们将邻居之爱描述为一种后恢复的、面向未来的摆脱严重文化危机的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fast vergessen: Die Nachwirkungen von Kierkegaards Kulturkritik im Krisendiskurs der dänischen Nachkriegszeit
Abstract The article examines the explicit and implicit role that Kierkegaard played in the cultural criticism developed in the literary circle of the Danish journal Heretica (1948 – 1954). The cultural criticism of Kierkegaard and eminent Danish post-war authors (Martin A. Hansen, Vilhem Grønbech, Bjørn Poulsen, Tage Skou-Hansen and Ole Wivel) is contextualized in the tradition of Western cultural criticism. An analysis of central concepts such as crisis, rationality, spirit and reflection as well as alienation, individuality and community, demonstrates the original contributions these authors make to the modern understanding of culture. Furthermore, the article addresses the reservations that some of the Heretica- authors had towards Kierkegaard. The accusation of solipsism, however, turns out to be unwarranted. Rather, it becomes clear that Kierkegaard’s emphasis on the individual, like the post-war authors’ critique of fascism, is directed against the power of the masses and the increasing bureaucratization of life. Finally, Kierkegaard as well as the 20th century authors depict neighbor love as decisive for a post-restitutive, forward-oriented way out of a severe cultural crisis.
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