A. Mazur
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摘要

波林Święcicki(1841-1876)是一位活跃在加利西亚的基辅地区作家,他的作品和生活被遗忘了,他代表了波兰-乌克兰文化边界的罕见、真实的例子。他的处女作《最近的奖赏》。Powieść ukraińska’(1865),尽管是一个艺术上的失败,是浪漫主义“乌克兰学派”的遗产和Henryk Sienkiewicz的《与火与剑》中波兰边疆的历史愿景之间的一个有趣的联系。17世纪乌克兰草原的现实(贵族、农村和哥萨克人的生活)、战斗场景(与鞑靼人的战斗)、浪漫的情节情节——这些都被改编成独特的乌克兰视角(而不是以波兰为中心)。Święcicki的“乌克兰主义”是一幅哥萨克英雄主义的肖像,一幅被奴役的乌克兰民族的画面,一幅对当地故事的如画般的描述。这部作品兼收并蓄的特点,怀旧的沉思和浪漫的风格,以及新闻的参与,对它的不连贯产生了影响,但也使它在当时萨尔马提亚边境小说的背景下具有独创性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
„Na Ukrainie za owych dobrych czasów” – „Przed laty. Powieść ukraińska” Paulina Święcickiego
The forgotten work and life of Paulin Święcicki (1841–1876), a writer from Kiev region and active in Galicia, represents a rare, authentic example of Polish‑Ukrainian cultural border. His debut work entitled 'Przed laty. Powieść ukraińska' (1865), despite being an artistic failure, is an interesting link between the heritage of the Romantic 'Ukrainian School' and the historical vision of Polish Borderlands in With fire and sword by Henryk Sienkiewicz. The creation of the 17th‑century reality of Ukrainian grasslands (noble, rural and Cossack existence), battle scenes (fights against the Tatars), romantic‑melodramatic plot – these are all adapted to a unique Ukrainian (not Polish‑centred) perspective. Święcicki’s ‘ukrainism’ is a portrait of Cossack heroism, a picture of enslaving the Ukrainian nation, and a picturesque description of local stories. The eclectic character of the work, which is nostalgically contemplative and in romantic style, as well as journalistically engaged, has an impact on its incoherence, but also makes it original against the background of the Sarmatian‑borderland fiction of those days.  
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