亚伦·泽特林《梅塔特隆》中的神话、神秘主义、弥赛亚主义与现代性

IF 0.2 2区 哲学 0 PHILOSOPHY
N. Wolski
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引用次数: 0

摘要

本文分析了亚伦·蔡特林1922年在华沙发表的《Metatron: Apokaliptishe》诗。这首书长的诗写于意第绪先锋派的鼎盛时期,代表了Zeitlin“新卡巴拉主义”阶段的高潮。我将蔡特林的思想置于尤里·茨维·格林伯格的《梅菲斯托》和希勒尔·蔡特林的弥赛亚主义以及对二元性和邪恶的反思的语境中,着眼于其创作中的神话和神秘的弥赛亚主义。保罗·蒂利希关于神魔的著作提供了另一个视角。揭示Zeitlin的卡巴拉来源揭示了他的神话想象力的深度,我在20世纪20年代早期意第绪文学中对神话的不同态度中找到了这一点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mythopoesis, Mysticism, Messianism, and Modernity in Aaron Zeitlin’s Metatron
This article presents an analysis of Aaron Zeitlin’s Metatron: Apokaliptishe poeme, published in Warsaw in 1922. Written at the height of the Yiddish avant-garde, the book-length poem represents the highpoint of Zeitlin’s “neo-kabbalistic” phase. Focusing on the mythopoesis and mystical messianism in the composition, I situate Zeitlin’s thought in the context of Uri Tsvi Greenberg’s Mefisto as well as Hillel Zeitlin’s messianism and ruminations on duality and evil. Paul Tillich’s writings about the divine-demonic provide another lens. Uncovering Zeitlin’s kabbalistic sources reveals the depth of his mythopoetic imagination, which I locate amidst divergent attitudes to myth in Yiddish literature in the early 1920s.
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来源期刊
CiteScore
0.40
自引率
25.00%
发文量
12
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