{"title":"在拒绝、无知与偏好之间:关于保存与呈现问题的现代双面(正反)绘画的历史与困境","authors":"Ulrik Runeberg","doi":"10.1007/978-3-030-19254-9_30","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":10631,"journal":{"name":"Conservation of Modern Oil Paintings","volume":"6 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Between Rejection, Ignorance, and Preference: The History and Dilemma of Modern Double-Sided (Recto/Verso) Paintings with Regard to Issues of Conservation and Presentation\",\"authors\":\"Ulrik Runeberg\",\"doi\":\"10.1007/978-3-030-19254-9_30\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":10631,\"journal\":{\"name\":\"Conservation of Modern Oil Paintings\",\"volume\":\"6 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Conservation of Modern Oil Paintings\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1007/978-3-030-19254-9_30\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Conservation of Modern Oil Paintings","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/978-3-030-19254-9_30","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Between Rejection, Ignorance, and Preference: The History and Dilemma of Modern Double-Sided (Recto/Verso) Paintings with Regard to Issues of Conservation and Presentation