(日耳曼语)现代与(西班牙语)传统——鲁道夫·哈夫特为管弦乐队创作的作品33 (1970)

Q3 Arts and Humanities
C. Heine
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引用次数: 0

摘要

在墨西哥流亡期间,鲁道夫·哈尔夫特在没有放弃欧洲根基的情况下发展了自己的作曲风格。本研究的目的是确定Halffter在《差异》(1970)中为管弦乐队使用的音乐技术和资源,以实现他在日耳曼现代性和西班牙传统之间寻求的综合:在作品的十二个部分中对十二音排的处理进行了检查,以及西班牙血统的风格特征和应用的变奏原则,考虑到文艺复兴时期的模式,这首作品以其命名。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
(Germanic) Modernity and (Hispanic) Tradition in Rodolfo Halffter’s Diferencias for Orchestra Op. 33 (1970)
In Mexican exile, Rodolfo Halffter developed his own compositional style without renouncing his European roots. The aim of this study is to determine the musical techniques and resources employed by Halffter in Diferencias for orchestra (1970) in order to achieve the synthesis he sought between Germanic modernity and Spanish tradition: the treatment of the twelve-tone row in the twelve sections of the work is examined, as well as the stylistic characteristics of Hispanic origin and the principle of variation applied, taking into account the Renaissance model that gave this composition its name.
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来源期刊
Santander Estudios de Patrimonio
Santander Estudios de Patrimonio Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
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0
审稿时长
5 weeks
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