约翰·博因在《穿条纹睡衣的男孩》中对大屠杀的再现:一种越轨的范式和语言的不确定性

M. Canani
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引用次数: 0

摘要

本文认为,越轨为审视约翰·博因的《穿条纹睡衣的男孩》(2006)的叙事结构提供了一个具有启发性的批判范畴。博因决定将他的证词叙事委托给党卫军指挥官的儿子布鲁诺,产生了一种代表性的不确定性,让人想起西奥多·阿多诺(Theodor Adorno)对后奥斯维辛美学的主张。布鲁诺的虚构证词的特点是难以通过语言将经验概念化,这揭示了他对现实认知的空白。然而,在小说的电影版本中,文字和图像的相互作用违背了这种认知方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
John Boyne’s Representation of the Shoah in The Boy in the Striped Pyjamas: A Paradigm of Transgression and Linguistic Uncertainties
This article argues that transgression provides an illuminating critical category to examine the narrative construction of John Boyne’s The Boy in the Striped Pyjamas (2006). Boyne’s decision to entrust his testimonial narrative to Bruno, the son of an SS commander, produces a representational uncertainty that is reminiscent of Theodor Adorno’s claims on post-Auschwitz aesthetics. Bruno’s fictional testimony is marked by a difficulty in conceptualising experience via language, which reveals voids in his cognizance of reality. This epistemic modality, however, is transgressed by the interaction of words and images in the film version of the novel.
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