画外音翻译中的等时美学与文字共时美学

IF 0.8 Q3 LINGUISTICS
Alfonso Carlos Rodríguez Fernández-Peña
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引用次数: 0

摘要

画外音翻译具有一定的技术同步性(等时性、文字同步性、动作同步性、动作同步性、内容同步性和人物同步性)。从这些方面来看,等时性和文字同步性通过所谓的声音片段(在目标版本中,我们只能听到原始声音的一段时间,它可以发生在说话者的开始和/或结束)来产生真实性和现实性的错觉。在我们的研究中,在使用语音分析软件和电子表格分析了由不同的配音节目组成的语料库之后,我们已经看到,在秒数和单词数方面,声音片段的平均持续时间与学术传统所陈述的不同。此外,我们还分析了没有文字同步的样本,以了解这些部分的成功演绎如何以及是否会受到影响。结果证实,插话和文字同步是审美增强剂,为画外音提供了一种真实感,使其成为一些学者认为最忠实、最可靠的视听翻译模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The aesthetics of isochrony and literal synchrony in voice-over translation
Voice-over translation is characterised by some technical synchronic features (isochrony, literal synchrony, action synchrony, kinetic synchrony, content synchrony and character synchrony). From these, isochrony and literal synchrony contribute to the illusion of authenticity and realism with what is called sound bites (a time span in the target version in which we only hear the original voice, and which can occur at the beginning and/or at the end of the speaker’s intervention). In our study, after analysing a corpus made up of different voiced-over programmes using speech analysis software and a spreadsheet, we have seen that the average duration of sound bites differs from that stated by the scholarly tradition both in terms of seconds and number of words. In addition, we also analysed samples that show no literal synchrony to see how and whether the rendition success of those parts could be affected. The results confirm that sound bites and literal synchrony are aesthetic enhancers which provide voice-over with an authenticity feel that makes it, for some scholars, the most faithful and reliable audiovisual translation mode.
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来源期刊
CiteScore
1.50
自引率
50.00%
发文量
0
审稿时长
16 weeks
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