{"title":"乌克兰电影音乐:历史与现代","authors":"Nataliia Riabukha","doi":"10.31866/2617-2674.5.1.2022.257188","DOIUrl":null,"url":null,"abstract":"More than ten years ago, a book by musicologist Olga Lytvynova “Music in Ukrainian Cinema” was published. This work is almost the only publication in Ukraine, which reflects almost the entire palette of Ukrainian film music, from the 1920s to the mid-2000s. Unfortunately, this certainly relevant work has not yet received proper feedback in the scientific musicology and cinematography literature.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"14 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ukrainian Film Music: History and Modernity\",\"authors\":\"Nataliia Riabukha\",\"doi\":\"10.31866/2617-2674.5.1.2022.257188\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"More than ten years ago, a book by musicologist Olga Lytvynova “Music in Ukrainian Cinema” was published. This work is almost the only publication in Ukraine, which reflects almost the entire palette of Ukrainian film music, from the 1920s to the mid-2000s. Unfortunately, this certainly relevant work has not yet received proper feedback in the scientific musicology and cinematography literature.\",\"PeriodicalId\":33443,\"journal\":{\"name\":\"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo\",\"volume\":\"14 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31866/2617-2674.5.1.2022.257188\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31866/2617-2674.5.1.2022.257188","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
More than ten years ago, a book by musicologist Olga Lytvynova “Music in Ukrainian Cinema” was published. This work is almost the only publication in Ukraine, which reflects almost the entire palette of Ukrainian film music, from the 1920s to the mid-2000s. Unfortunately, this certainly relevant work has not yet received proper feedback in the scientific musicology and cinematography literature.