{"title":"当代巴西儿童文学中的多模态叙事","authors":"Diana Navas Navas","doi":"10.21814/childstudies.4526","DOIUrl":null,"url":null,"abstract":"Although it is not a contemporary creation, there is evidence in our context of the growth of multimodal narratives addressed primarily to Brazilian children readers. This is the offer of narratives that, based on different strategies, are built not only through the literary text, but also through its dialog with other languages, of which we highlight here illustration and graphic design. Among such works, we propose the reading of Pra lá, by Luiz Tatit (2012), Dante Onzzetti and Edith Derdyk; Era uma vez outra vez, by Edith Chacon and Priscilla Ballarin (2022); and O que é que isso é? (2020), by Alexandre Rampazo. We aim to highlight the need for a synergic reading of the different languages that make up the book object in order to different reading layers can be reached. We also aim to discuss how the reading of multimodal works demands a different kind of reading and reader.","PeriodicalId":92615,"journal":{"name":"Child studies in Asia-Pacific context","volume":"77 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Multimodal narratives in contemporary Brazilian children's literature\",\"authors\":\"Diana Navas Navas\",\"doi\":\"10.21814/childstudies.4526\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Although it is not a contemporary creation, there is evidence in our context of the growth of multimodal narratives addressed primarily to Brazilian children readers. This is the offer of narratives that, based on different strategies, are built not only through the literary text, but also through its dialog with other languages, of which we highlight here illustration and graphic design. Among such works, we propose the reading of Pra lá, by Luiz Tatit (2012), Dante Onzzetti and Edith Derdyk; Era uma vez outra vez, by Edith Chacon and Priscilla Ballarin (2022); and O que é que isso é? (2020), by Alexandre Rampazo. We aim to highlight the need for a synergic reading of the different languages that make up the book object in order to different reading layers can be reached. We also aim to discuss how the reading of multimodal works demands a different kind of reading and reader.\",\"PeriodicalId\":92615,\"journal\":{\"name\":\"Child studies in Asia-Pacific context\",\"volume\":\"77 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-05-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Child studies in Asia-Pacific context\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21814/childstudies.4526\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Child studies in Asia-Pacific context","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21814/childstudies.4526","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
虽然它不是当代创作,但在我们的背景下,有证据表明主要针对巴西儿童读者的多模式叙事的增长。这是基于不同策略的叙事,不仅通过文学文本,而且通过与其他语言的对话,我们在这里强调插图和平面设计。在这些作品中,我们推荐阅读路易斯·塔蒂特(2012)、但丁·昂泽蒂和伊迪丝·德戴克的《Pra ll》;伊迪丝·查孔和普里西拉·巴拉林的《我爱你,我爱你》(2022);O que ? que isso ?(2020),亚历山大·兰帕佐。我们的目标是强调对构成图书对象的不同语言进行协同阅读的必要性,以便达到不同的阅读层次。我们也试图讨论多模态作品的阅读如何要求不同类型的阅读和读者。
Multimodal narratives in contemporary Brazilian children's literature
Although it is not a contemporary creation, there is evidence in our context of the growth of multimodal narratives addressed primarily to Brazilian children readers. This is the offer of narratives that, based on different strategies, are built not only through the literary text, but also through its dialog with other languages, of which we highlight here illustration and graphic design. Among such works, we propose the reading of Pra lá, by Luiz Tatit (2012), Dante Onzzetti and Edith Derdyk; Era uma vez outra vez, by Edith Chacon and Priscilla Ballarin (2022); and O que é que isso é? (2020), by Alexandre Rampazo. We aim to highlight the need for a synergic reading of the different languages that make up the book object in order to different reading layers can be reached. We also aim to discuss how the reading of multimodal works demands a different kind of reading and reader.