IF 0.2 3区 文学 N/A LANGUAGE & LINGUISTICS
REVUE ROMANE Pub Date : 2019-09-23 DOI:10.1075/rro.17007.bro
Greta Brodahl
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引用次数: 1

摘要

本文的目的是研究比利时作家让-菲利普·杜桑以《玛丽·玛德琳·玛格丽特·德·蒙塔尔特》为标签的四部小说中的互文游戏。研究这一现象的理论工具是互文性理论,特别是互文类型学理论,该理论摘自格姆拉德·热内特的《重写本:第二次复制》(1982年)和蒂法因·萨摩约特的《互文》(2001年)。该研究提出的主要问题是互文在四部曲中所起的作用。这篇文章区分了叙事功能和元文学功能。研究表明,互文(以典故为主)在叙事中所起的作用较小。然而,一些典故具有元文学功能。通过这些,作者讨论文学问题。作者的态度是戏谑的:他温和地嘲笑互文背后的作者,同时又与他们展开对话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jean-Philippe Toussaint
The purpose of this article is to study the intertextual play in four novels grouped under the label « MARIE MADELEINE MARGUERITE DE MONTALTE » by the Belgian author Jean-Philippe Toussaint. The theoretical tool to study this phenomenon is the theory of intertextuality and the intertextual typology in particular, extracted from Gérard Genette’s Palimpsestes: la littérature au second degré (1982) and Tiphaine Samoyault’s Intertexte, Mémoire de la littérature (2001). The main question the study raises is what function the intertexts occupy in the tetralogy. The article distinguishes between a diegetic and a metaliterary function. The study shows that the intertexts, mostly allusions, only play a minor role in the diegesis. However, several allusions occupy a metaliterary function. Through these, the author debates literary questions. The author’s attitude is playful: He gently mocks the authors behind the intertexts and enters into a dialogue with them at the same time.
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REVUE ROMANE
REVUE ROMANE Multiple-
CiteScore
0.50
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0.00%
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9
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