数字时代幽默的社会批判:阿莱克斯作品中的多模态延伸Saló

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Javier Muñoz-Basols, Marina Massaguer Comes
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引用次数: 2

摘要

许多漫画和图画小说作者都将伊比利亚半岛的经济危机作为社会批判的叙事框架。其中最著名的是加泰罗尼亚漫画家Aleix Saló,他在YouTube上的动画视频Españistán,以及他的漫画小说Españistán: Este país se va ala mierda [Españistán:这个国家正在走向地狱](2011)的图书预告片,使他在漫画界崭露头角。这篇文章展示了Saló如何通过多模态(使用特定的形状、颜色、字体和口语成分)以及通过创建“多模态扩展”(出版书籍和书籍预告片之间的互文关系),为经济危机的破坏性影响提供幽默和说教的描述。本分析展示了作者在数字时代文本和图像之间强大关系的背景下使用的多模态技术来塑造和发展他们的工作的案例研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Social Criticism through Humour in the Digital Age: Multimodal Extension in the Works of Aleix Saló
Numerous authors of comics and graphic novels have used the economic crisis in the Iberian Peninsula as a narrative frame for social criticism. Prominent amongst them is the Catalan cartoonist Aleix Saló, who burst onto the comics scene with his animated YouTube video Españistán, a book trailer for his graphic novel Españistán: Este país se va a la mierda [Españistán: This country is going to hell] (2011). This article shows how Saló offers a humorous and didactic portrait of the devastating effects of the economic crisis: he does this through multimodality (using specific shapes, colours, fonts and components of orality) and through creating ‘multimodal extensions’, intertextual relations between published books and book trailers. This analysis presents a case study of the multimodal techniques that authors use to shape and develop their work in the context of the powerful relationship between text and image in the digital age.
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来源期刊
European Comic Art
European Comic Art HUMANITIES, MULTIDISCIPLINARY-
自引率
50.00%
发文量
8
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