Ayoe Quist Henkel, Sarah Mygind, Helle Bundgaard, Svendsen
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引用次数: 1
摘要
学校文学阅读的条件正在发生变化,年轻读者越来越多地在媒介之间进行选择,从而遇到媒介特定的表达。不同的媒体提供不同的感官吸引力,因此提供不同的体验。本文通过对八年级学生阅读卡米拉·赫伯(Camilla h bbe)和拉斯穆斯·梅斯勒(Rasmus Meisler)的一部特定文学作品《诺德》(Nord)的实证、现象学定性研究,探讨了学校背景下阅读条件的这些变化。《诺德》有三种媒体版本:数字有声书、原生数字叙事书和插图印刷书。它分析了定性数据,重点是学生对各种文学媒介作品的体验和思考,以及他们如何单独地整合感官诉求和这些诉求的变化。研究表明,文学作品的不同物质体现如何涉及到不同的阅读体验,这被理解为认知和感官活动之间的必要相互作用,以及媒体类型如何影响阅读体验。在此基础上,我们提出了一个理解阅读体验的模型,该模型包括三个维度:体验、物质性和理解性。我们认为阅读理解是阅读体验发生的必要条件。
Exploring reading experiences of three media versions: Danish 8th grade students reading the story Nord
The conditions for literary reading in schools are changing as young readers increasingly have the option of alternating between media, hereby encountering medium-specific expressions. Different media offer different sensory appeals and therefore provide distinct experiences. This article addresses these changes in reading conditions in a school context by investigating reading experience based on an empirical, phenomenological qualitative study of 8th grade students’ reading of a specific work of literatur e, Nord by Camilla Hübbe and Rasmus Meisler, in three media versions: as a digital audiobook, as a born-digital narrative, and as an illustrated printed book. It analyses the qualitative data focusing on students’ experiences of and reflections on the various literary media works and on how they, individually, integrate sensory appeals and vary in these appeals. The study shows how different material embodiments of literary works involve a distinct reading experience understood as a necessary interplay between cognitive and sensory activities, and how the type of media influences the reading experience. Based on our findings, we propose a model for understanding the reading experience that consists of the three dimensions: experience, materiality and comprehension. We argue that reading comprehension is necessary for a reading experience to even take place.