{"title":"虚构的行为:当参与基于叙事的艺术时,同时体验(非)现实的多重视角","authors":"Einat Amir, J. Sofaer, Mikko Sams","doi":"10.1162/leon_a_02362","DOIUrl":null,"url":null,"abstract":"Abstract The authors propose a new conception of the mechanism that occurs during a narrative-based art experience—the “Act of Fiction.” They claim that there is no “suspension of disbelief” but rather something more similar to our decision-making systems, enabling us to simultaneously be present in the real and the unreal (fictional). The article’s first part contains a narrative account in which an Act of Fiction takes place; it exemplifies what it also describes. The second part provides an analysis of this phenomenon through a review of current literature and our position on it. The third part proposes an outline for a primary examination of what might be happening in the brain in the experience of an Act of Fiction. The authors conclude by suggesting directions for future research.","PeriodicalId":93330,"journal":{"name":"Leonardo (Oxford, England)","volume":"50 1","pages":"374-378"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Act of Fiction: Simultaneously Experienced Multiple Perspectives of (Un)reality When Engaging with Narrative-Based Art\",\"authors\":\"Einat Amir, J. Sofaer, Mikko Sams\",\"doi\":\"10.1162/leon_a_02362\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The authors propose a new conception of the mechanism that occurs during a narrative-based art experience—the “Act of Fiction.” They claim that there is no “suspension of disbelief” but rather something more similar to our decision-making systems, enabling us to simultaneously be present in the real and the unreal (fictional). The article’s first part contains a narrative account in which an Act of Fiction takes place; it exemplifies what it also describes. The second part provides an analysis of this phenomenon through a review of current literature and our position on it. The third part proposes an outline for a primary examination of what might be happening in the brain in the experience of an Act of Fiction. The authors conclude by suggesting directions for future research.\",\"PeriodicalId\":93330,\"journal\":{\"name\":\"Leonardo (Oxford, England)\",\"volume\":\"50 1\",\"pages\":\"374-378\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Leonardo (Oxford, England)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/leon_a_02362\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Leonardo (Oxford, England)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/leon_a_02362","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Act of Fiction: Simultaneously Experienced Multiple Perspectives of (Un)reality When Engaging with Narrative-Based Art
Abstract The authors propose a new conception of the mechanism that occurs during a narrative-based art experience—the “Act of Fiction.” They claim that there is no “suspension of disbelief” but rather something more similar to our decision-making systems, enabling us to simultaneously be present in the real and the unreal (fictional). The article’s first part contains a narrative account in which an Act of Fiction takes place; it exemplifies what it also describes. The second part provides an analysis of this phenomenon through a review of current literature and our position on it. The third part proposes an outline for a primary examination of what might be happening in the brain in the experience of an Act of Fiction. The authors conclude by suggesting directions for future research.