宗教的媒介化:媒介作为宗教变革媒介的理论

Q4 Arts and Humanities
Northern Lights Pub Date : 2008-06-01 DOI:10.1386/NL.6.1.9/1
S. Hjarvard
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引用次数: 308

摘要

本文提出了一个理论框架,以理解媒体如何作为宗教变革的代理人。该理论的核心是媒介化的概念:无论是从制度规范、象征内容还是个人实践的角度来看,宗教都日益被纳入媒体的逻辑。媒介作为一种传播渠道,成为宗教思想的主要来源,媒介作为一种语言,根据大众文化的类型塑造宗教想象。受Michael Billig(1995)“平庸的民族主义”概念的启发,“平庸的宗教”概念被发展出来,以理解媒体如何在社会中提供宗教想象的持续背景。媒体作为一种文化环境,已经接管了制度化宗教的许多社会功能,提供道德和精神指导以及社区意识。因此,在现代西方社会,制度化的宗教在宗教信仰的传播中发挥的作用不那么突出,相反,媒体中平庸的宗教元素移到了社会宗教想象的前台。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The mediatization of religion: A theory of the media as agents of religious change
This paper presents a theoretical framework for the understanding of how media work as an agent of religious change. At the center of the theory is the concept of mediatization: religion is increasingly being subsumed to the logic of the media, both in terms of institutional regulation, symbolic content and individual practices. As a channel of communication the media have become the primary source of religious ideas, and as a language the media mould religious imagination in accordance with the genres of popular culture. Inspired by Michael Billig’s (1995) concept of “Banal Nationalism”, a concept of “banal religion” is developed to understand how media provide a constant backdrop of religious imagination in society. The media as a cultural environment have taken over many of the social functions of the institutionalized religions, providing both moral and spiritual guidance and a sense of community. As a consequence, institutionalized religion in modern, Western societies plays a less prominent role in the communication of religious beliefs, and instead the banal religious elements of the media move to the front stage of society’s religious imagination.
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来源期刊
Northern Lights
Northern Lights Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
7
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