艺术与政治中的主观匮乏:从存在走向死亡到不死

IF 0.2 0 PHILOSOPHY
S. Žižek
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引用次数: 0

摘要

雅克·拉康创造了“主观匮乏”这个词来描述精神分析治疗的最后时刻。这个概念也可以有效地应用于艺术和政治。在艺术中,主观的匮乏可以被定义为从存在到死亡到不死的一段,换句话说,到活死人的位置——这段发生在肖斯塔科维奇的第十四交响曲和他的最后一部交响曲第十五交响曲之间。在政治中,主观贫困指的是政治主体走向激进的去主体化,成为政治事业的客体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Subjective destitution in art and politics: From being-towards-death to undeadness
Jacques Lacan coined the term “subjective destitution” to describe the concluding moment of a psychoanalytic treatment. This concept can also usefully be applied to art and to politics. In art, subjective destitution can be defined as a passage from being-towardsdeath to undeadness, in other words to the position of the living dead – this passage takes place between Shostakovich’s 14th symphony and his final symphony, the 15th. In politics, subjective destitution designates the passage of a political subject to a radical de-subjectivization, to becoming an object of a political cause.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
38
审稿时长
15 weeks
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