{"title":"英格兰北部西多会教徒的艺术与建筑,约1300-1540年","authors":"M. Carter","doi":"10.1484/m.mms-eb.5.116176","DOIUrl":null,"url":null,"abstract":"the reception of its materials? The author has begun to address these questions elsewhere (e.g., “The Textual Tradition of Bar ʿEbroyo’s Chronicle,” Le Muséon 131, no. 1–2 [2018]: 73–100) and, we may hope, will continue to do so in future publications. For now, From High Priest to Patriarch remains a vital contribution to the literature on Christian historiography, Syriac Christianity in the Islamic world, and the so-called “Syriac Renaissance” of the later medieval period.","PeriodicalId":52393,"journal":{"name":"Journal of Medieval Monastic Studies","volume":"13 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"The Art and Architecture of the Cistercians in Northern England, c. 1300–1540\",\"authors\":\"M. Carter\",\"doi\":\"10.1484/m.mms-eb.5.116176\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"the reception of its materials? The author has begun to address these questions elsewhere (e.g., “The Textual Tradition of Bar ʿEbroyo’s Chronicle,” Le Muséon 131, no. 1–2 [2018]: 73–100) and, we may hope, will continue to do so in future publications. For now, From High Priest to Patriarch remains a vital contribution to the literature on Christian historiography, Syriac Christianity in the Islamic world, and the so-called “Syriac Renaissance” of the later medieval period.\",\"PeriodicalId\":52393,\"journal\":{\"name\":\"Journal of Medieval Monastic Studies\",\"volume\":\"13 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Medieval Monastic Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1484/m.mms-eb.5.116176\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Medieval Monastic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/m.mms-eb.5.116176","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
The Art and Architecture of the Cistercians in Northern England, c. 1300–1540
the reception of its materials? The author has begun to address these questions elsewhere (e.g., “The Textual Tradition of Bar ʿEbroyo’s Chronicle,” Le Muséon 131, no. 1–2 [2018]: 73–100) and, we may hope, will continue to do so in future publications. For now, From High Priest to Patriarch remains a vital contribution to the literature on Christian historiography, Syriac Christianity in the Islamic world, and the so-called “Syriac Renaissance” of the later medieval period.