呈现历史:变革课程发展与维持中时间结构的操纵

Stephen Steyn
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引用次数: 0

摘要

本文认为,通过调整建筑学校中历史教学和理论化的观点,可以在结构层面上对进步的宏大叙述进行批评和操纵。这可以提供更持久的变革实践,而不是试图通过在现有结构中插入替代细节来颠覆这种叙事。历史课程观点的重构是通过对经典和时间线这两种历史事件被认为具有客观意义的手段的批判来实现的。简要介绍了这些设备的基本定义和理由,然后提出了在大学水平的历史和理论模块的内容生产中的替代结构的建议。对一些基于工作室的设计课程的结构教学设备的简要描述有助于说明该学科中管理人员,教师和学生可用的参与模式的多样性。然后,其中一些设备被转移到更传统的教学结构中,以测试历史和理论课程的新可能性。通过一个由此产生的“其他时间线”的例子,简要说明了重组的可能结果,这些时间线在使历史作为一门研究主题变得清晰易懂的水平上起作用,但同时也可以将进步的叙述从历史中移出,进入学生和导师的个人经历中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Presenting History: The Manipulation of Chronological Structures in the Development and Maintenance of Transformative Curricula
In this article it is argued that, through adjustment of the point of view from which history is taught and theorised in architecture schools, grand narratives of progress can be critiqued and manipulated at a structural level. This could provide more lasting transformative practices than those produced by attempts to subvert such narratives by slotting alternative details into the existing structure.  The restructuring of points of view in history curricula is approached from critiques of two devices through which historical events are considered to be of objective significance: the canon and the timeline. The fundamental definitions and justifications of these devices are briefly unpacked, after which a proposal is made for alternative structures in the production of content for history and theory modules at university level. A brief description of some of the structural teaching and learning devices of studio-based design courses serves to illustrate the diversity of modes of engagement available to managers, teachers and students in the discipline. Some of those devices are then transposed onto more conventional teaching and learning structures in order to test new possibilities for history and theory curricula.  The possible outcomes of a restructuring is briefly illustrated through an example of resulting ‘other timelines’ which are functional at the level of rendering history legible and comprehensible as a subject of study, but which could simultaneously move narratives of progress out of history and into the personal experience of students and tutors.
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