借助外语培养学生创造性人格

T. Kolbina, O. Oleksenko
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引用次数: 2

摘要

研究背景与目的:本研究探讨外语课堂中学生创造性人格的形成途径。研究的目的是:概述形成学生创造性人格的教学手段,并证明其有效性。在目前的研究中,应用了以下方法:理论(分析,综合,概括和系统化科学理论和方法论文献)-为了定义研究的概念,概述学生创造性人格形成CC形成的特点并指定其结构;实证诊断(讨论、问卷调查、测试、教学观察、专家问卷)研究教育活动的结果,确定学生创造性人格形成的水平;教学实验(启动、形成、控制三个阶段)以验证相应教学手段体系的有效性。结果:运用了角色本位活动、分步教学技术和后续反思活动等教学手段。实践证明,在教学过程中应采用渐进式、个性化的教学方法。文章揭示了“旋转木马”、“第一印象”、“双重解释”等技巧。结论:提出的方法得到了个人、认知和语用标准指标的验证。分析了实验组和对照组学生在实验开始阶段和实验结束阶段创造性人格形成的动态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Formation of Students’ Creative Personality by Means of Foreign Languages
Background and Aim of Study: The research deals with the ways of forming students’ creative personality in classes of foreign languages. The aim of the study: to outline the didactic means of forming students’ creative personality and to prove their efficiency. In the current research the following methods have been applied: theoretical (analysis, synthesis, generalisations and systematisation of scientific theoretical and methodological literature) – in order to define notions of the research, outline peculiarities of students' creative personality formation CC formation and specify its structure; empirical – diagnostic (discussions, questionnaire, testing, pedagogical observation, expert questionnaire) to study results of the educational activity and determine the level of students’ formed creative personality; pedagogical experiment (starting, forming, controlling stages) to verify efficiency of the system of corresponding didactic means based on the elaborated methodology. Results: A set of didactic means such as role-based activity, step-by-step pedagogical technology and follow-up reflexion activity are applied in the research. It is proved that gradual and personally oriented approach should be applied in the pedagogical process. Such techniques as “Merry-Go-Round”, “First Impression”, “Double Interpretation” and others are revealed in the article. Conclusions: the proposed methods has been verified by indicators of personal, cognitive and pragmatic criteria. Dynamics of the students’ formed creative personality in experimental and control groups at the starting and final stages of the experiment is analysed.
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