激进启蒙,开明颠覆,以及斯宾诺莎

Q4 Arts and Humanities
S. Lavaert
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引用次数: 2

摘要

在17和18世纪启蒙思想中,一个重要的哲学转向是放弃了先验性,严格地将宗教和哲学分开,以及一种实体内在本体论的兴起。有人认为,这种“激进”的转变为民主主义带来了哲学基础。根据我接下来要捍卫的论点,内在本体论确实具有政治颠覆的意义。在马基雅维利的文本和思想的启发下,它导致了焦点的根本改变:从神学的等级结构到我们生活的世界的水平结构,在这个世界中,所有人都是平等的。这种激进的变化在公民国家层面产生了影响:例如,思想自由和言论自由的必要性,这可能导致抵抗、拒绝和不服从。我认为,这种斯宾诺莎式的激进主义,只有在我们一方面考虑到他的圈子里其他思想家的激进思想,另一方面考虑到他的反对者所构建的斯宾诺莎的颠覆性形象时,才能得到充分的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Radical Enlightenment, Enlightened Subversion, and Spinoza
An important philosophical turn that took place in seventeenthand eighteenth-century Enlightenment thought was the abandonment of transcendence, the strict separation of religion and philosophy, and the rise of a one-substance immanent ontology. It has been argued that this ‘radical’ turn brought about the philosophical foundation for democracy. According to the thesis I will defend in what follows, immanent ontology indeed has a political subversive meaning. Inspired by the texts and ideas of Machiavelli, it entailed a radical change of focus: from a theologicalhierarchical structure to the horizontal structure of the world in which we live and in which all humans are equal. This radical change had consequences at the level of the civil state: e.g., the necessity of free thought and free speech, which may lead to resistance, refusal, and disobedience. I will argue that this Spinozistic radicalism can only be adequately understood if we take into account the radical thought of fellow thinkers from his circle, on the one hand, and the subversive image of Spinoza as constructed by his opponents on the other.
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来源期刊
Argumenta Philosophica
Argumenta Philosophica Arts and Humanities-Visual Arts and Performing Arts
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