车轮后面的叛逆者:《哈扎德公爵》中“乡下人”反叛文化修辞的考察

Q2 Arts and Humanities
Jon Starnes
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引用次数: 0

摘要

上世纪70年代到80年代初是“乡巴佬”电影的全盛时期,见证了“乡巴佬”(Redneck rebelr)的兴起。他们是一群南方或其他“乡巴佬”的反英雄,像现代牛仔一样骑着马在乡村四处游荡,征服邪恶。他的“马”就是他的车——一辆加强型的肌肉车,经常成为剧中的明星,让这位反英雄黯然失色。这篇文章通过一部美国电视连续剧——《哈扎德公爵》的镜头来审视乡巴佬反叛者。这部上世纪80年代的热门电视剧,以及它的前辈和同时代的电视剧,强调了几个重要的观点,强调了典型的保守的美国美德:自由、打“正义的仗”、公开的异性恋、特别喜欢对美国社会中过于复杂、过于傲慢、“反美”和富裕的部分“伸出舌头”的讽刺。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Rebel Behind the Wheel: An Examination of the ‘Redneck’ Rebel Cultural Trope in The Dukes of Hazzard
The heyday of ‘Redneck’ cinema—the 1970s to early 1980s, saw the rise of the Redneck Rebel—a Southern or otherwise ‘hick’ anti-hero who rode around the countryside like a modern-day cowboy vanquishing evil. His ‘horse’ was his car—a beefed up/souped up muscle car that often became the star of the show and overshadowed the anti-hero himself. This article examines the Redneck Rebel through the lens of one American TV series—The Dukes of Hazzard. This popular 1980s TV series, along with its antecedents and contemporaries, underscore several important points that reinforce typical conservative American virtues: freedom, fighting the ‘good fight,’ an overt heterosexuality, a particular reveling in a sarcastic ‘sticking out the tongue’ at the overly sophisticated, overly arrogant, ‘anti-American,’ and well-heeled parts of American society.
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来源期刊
Review of International American Studies
Review of International American Studies Arts and Humanities-Literature and Literary Theory
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