女孩们:一首女性歌曲?

Revista de Dialectologia y Tradiciones Populares Pub Date : 2020-03-31 DOI:10.3989/RDTP.1994.V49.I1.284

Mariana Masera

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引用次数: 1

摘要

大多数学者认为摇篮曲是女性的香颂。一般来说，这不是基于文本中说话的角色，而是基于女性由于其传统角色而负责歌曲传播的事实。本文的目的正是从叙述者的角度来研究摇篮曲。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Las nanas: ¿una canción femenina?

Lullabies have been considered by most scholars as chansons de femme. Generally, this is not based on the persona who speaks in the text, but on the fact that women are in charge of the trasmission of the songs because of their traditional role. The aim of this artide is precisely the study of lullabies from the point of view of the speaker.

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来源期刊

Revista de Dialectologia y Tradiciones Populares

自引率

0.00%

发文量

审稿时长

48 weeks

期刊介绍： Established in 1944, Revista de Dialectología y Tradiciones Populares is presently the longest standing Spanish Journal devoted to social and cultural anthropology, publishing scholarly work on human matters such as mentalities, religion, kinship, social relationships and representations, material culture, oral literature, dialectal lexicon and all other related subjects of anthropological research. Regular sections include major Articles, Notes, Archival Documents and Book Reviews. Aimed at a learned readership, it publishes original contributions to anthropological knowledge while enriching scholarly debate, especially on theoretical and methodological questions as well as on ethnographic fieldwork.