{"title":"辛吉《海上骑士》中孔雀被动的创伤解读","authors":"Chu He","doi":"10.1353/mos.2021.a903587","DOIUrl":null,"url":null,"abstract":"Abstract:This essay gives a traumatic reading of Maurya's passivity. Traumatized by her sons' deaths, Maurya develops PTSD symptoms including hyperarousal, intrusion, and constriction, and through keening she moves towards a recovery. Synge's deft use of symbols, repetition, and imagery to stage trauma makes Riders a precursor to later trauma plays.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":"1 1","pages":"49 - 64"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Traumatic Reading of Maurya's Passivity in Synge's Riders to the Sea\",\"authors\":\"Chu He\",\"doi\":\"10.1353/mos.2021.a903587\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay gives a traumatic reading of Maurya's passivity. Traumatized by her sons' deaths, Maurya develops PTSD symptoms including hyperarousal, intrusion, and constriction, and through keening she moves towards a recovery. Synge's deft use of symbols, repetition, and imagery to stage trauma makes Riders a precursor to later trauma plays.\",\"PeriodicalId\":44769,\"journal\":{\"name\":\"Mosaic-An Interdisciplinary Critical Journal\",\"volume\":\"1 1\",\"pages\":\"49 - 64\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mosaic-An Interdisciplinary Critical Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mos.2021.a903587\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mosaic-An Interdisciplinary Critical Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mos.2021.a903587","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
A Traumatic Reading of Maurya's Passivity in Synge's Riders to the Sea
Abstract:This essay gives a traumatic reading of Maurya's passivity. Traumatized by her sons' deaths, Maurya develops PTSD symptoms including hyperarousal, intrusion, and constriction, and through keening she moves towards a recovery. Synge's deft use of symbols, repetition, and imagery to stage trauma makes Riders a precursor to later trauma plays.
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