{"title":"霍华德·杰克逊与让·图默多种族现代主义的发展","authors":"Laura Lorhan","doi":"10.1215/0041462x-10580810","DOIUrl":null,"url":null,"abstract":"Abstract:This article argues that the sculptor May Howard Jackson, a figure overlooked to this point in Toomer studies, played a formative role in Toomer’s development as a thinker and writer. Scrutiny of their relationship sheds new light on the development of Toomer’s modernist sensibilities and aesthetic, despite the paucity of extant materials from his pre-Cane period. Analyzing Jackson’s portrait bust of Jean Toomer, his essay “Art in Washington,” and the unpublished play Natalie Mann demonstrates that Toomer’s racial theorizing owes a considerable debt to Jackson, and that she served as the impetus for many of his experiments with form.","PeriodicalId":44252,"journal":{"name":"TWENTIETH CENTURY LITERATURE","volume":"1 1","pages":"177 - 202"},"PeriodicalIF":0.1000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"May Howard Jackson and the Development of Jean Toomer’s Multiracial Modernism\",\"authors\":\"Laura Lorhan\",\"doi\":\"10.1215/0041462x-10580810\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article argues that the sculptor May Howard Jackson, a figure overlooked to this point in Toomer studies, played a formative role in Toomer’s development as a thinker and writer. Scrutiny of their relationship sheds new light on the development of Toomer’s modernist sensibilities and aesthetic, despite the paucity of extant materials from his pre-Cane period. Analyzing Jackson’s portrait bust of Jean Toomer, his essay “Art in Washington,” and the unpublished play Natalie Mann demonstrates that Toomer’s racial theorizing owes a considerable debt to Jackson, and that she served as the impetus for many of his experiments with form.\",\"PeriodicalId\":44252,\"journal\":{\"name\":\"TWENTIETH CENTURY LITERATURE\",\"volume\":\"1 1\",\"pages\":\"177 - 202\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TWENTIETH CENTURY LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/0041462x-10580810\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TWENTIETH CENTURY LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/0041462x-10580810","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
摘要:本文认为,在图默作为思想家和作家的发展过程中,雕塑家梅·霍华德·杰克逊(May Howard Jackson)发挥了重要的塑造作用。对他们之间关系的审视,为图默的现代主义情感和审美的发展提供了新的视角,尽管他在凯恩之前的时期缺乏现存的材料。通过分析杰克逊的琼·图默半身像、他的文章《华盛顿的艺术》(Art in Washington)和未发表的戏剧《娜塔莉·曼恩》(Natalie Mann),我们可以发现,图默的种族理论在很大程度上要归功于杰克逊,杰克逊推动了他的许多形式实验。
May Howard Jackson and the Development of Jean Toomer’s Multiracial Modernism
Abstract:This article argues that the sculptor May Howard Jackson, a figure overlooked to this point in Toomer studies, played a formative role in Toomer’s development as a thinker and writer. Scrutiny of their relationship sheds new light on the development of Toomer’s modernist sensibilities and aesthetic, despite the paucity of extant materials from his pre-Cane period. Analyzing Jackson’s portrait bust of Jean Toomer, his essay “Art in Washington,” and the unpublished play Natalie Mann demonstrates that Toomer’s racial theorizing owes a considerable debt to Jackson, and that she served as the impetus for many of his experiments with form.