Jan Hardy和酒死于梅片激发波兰社会分裂的媒体

IF 0.2 4区 社会学 Q2 Social Sciences
Agnieska Balcerzak
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引用次数: 0

摘要

这篇文章以大众文化与记忆文化的文化研究为交叉点,探讨漫画这一类型作为身份形成(抗议)的媒介,以及当代波兰传统主义者与现代主义者之间意识形态化的“文化战争”的投射面。分析的重点是两个历史漫画,结合了事实和想象,回顾了第二次世界大战,共产主义时期和1989年后波兰共和国的近代史。这篇文章将两位主角和他们的漫画世界并列,他们代表了政治光谱的两端,并揭示了波兰分裂的问题领域,沿着潜在的价值观和象征世界:Jan Hardy是民族保守派的“被诅咒的士兵”,Likwidator是无情的“无政府恐怖分子”。书中的人物和他们的冒险是当今波兰文化、宗教、民族主义和解放话语的基本记忆。分析的重点在于创作语境和(视觉)语言及其叙事审美的强化,揭示了波兰民族利己主义与传统“文化爱国主义”与自由主义价值相对主义及其进步解放修辞之间的冲突现状。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jan Hardy versus Likwidator. Comics als Medien der gesellschaftlichen Spaltung Polens
This article at the intersection of cultural studies of popular and memory culture deals with the genre of comics as an identity-forming (protest) medium and projection surface for the ideologised “culture war” between traditionalists and modernists in contemporary Poland. The analysis focuses on two historical comics that combine facts and imaginary and refer back to the Second World War, the communist period and the recent history of the Republic of Poland after 1989. The article juxtaposes two title heroes and their comic worlds, which represent opposite ends of the political spectrum and reveal the problem areas of Poland’s dividedness along the underlying canon of values and symbolic worlds: Jan Hardy, the national-conservative “cursed soldier”, and Likwidator, the relentless “anarcho-terrorist”. The characters and their adventures exemplify fundamental memory cultural, religious, nationalist and emancipatory discourses in Poland today. The focus of the analysis lies on the creation context and the (visual) language with its narrative-aesthetic intensifications, which illuminate Poland’s current state of conflict between national egoism and traditional “cultural patriotism” on the one hand and liberal value relativism with its progressive-emancipatory rhetoric on the other.
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