{"title":"开始怀疑","authors":"T. Yarrow","doi":"10.7591/cornell/9781501738494.003.0015","DOIUrl":null,"url":null,"abstract":"Stories of how the practice came to be are also an account of what the practice now is, a way of articulating aspirations for what if might become. The story of friendship and making has a simplicity that continues to speak to these architects: that design and making are linked elements of a process that is interesting and creative because it is unpredictable, experimental, and sometimes leads to failure. Tomas explains the rationale for describing the practice as a “workshop,” and the enduring appeal of the story that supports this:...","PeriodicalId":79772,"journal":{"name":"AIA journal. American Institute of Architects","volume":"69 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Starting to Doubt\",\"authors\":\"T. Yarrow\",\"doi\":\"10.7591/cornell/9781501738494.003.0015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Stories of how the practice came to be are also an account of what the practice now is, a way of articulating aspirations for what if might become. The story of friendship and making has a simplicity that continues to speak to these architects: that design and making are linked elements of a process that is interesting and creative because it is unpredictable, experimental, and sometimes leads to failure. Tomas explains the rationale for describing the practice as a “workshop,” and the enduring appeal of the story that supports this:...\",\"PeriodicalId\":79772,\"journal\":{\"name\":\"AIA journal. American Institute of Architects\",\"volume\":\"69 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-07-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AIA journal. American Institute of Architects\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7591/cornell/9781501738494.003.0015\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AIA journal. American Institute of Architects","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7591/cornell/9781501738494.003.0015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Stories of how the practice came to be are also an account of what the practice now is, a way of articulating aspirations for what if might become. The story of friendship and making has a simplicity that continues to speak to these architects: that design and making are linked elements of a process that is interesting and creative because it is unpredictable, experimental, and sometimes leads to failure. Tomas explains the rationale for describing the practice as a “workshop,” and the enduring appeal of the story that supports this:...