中世纪冰岛诗学和语法中的白话和古典风格

IF 0.2 0 LANGUAGE & LINGUISTICS
K. Árnason
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引用次数: 2

摘要

中世纪冰岛语法和诗学的分析在很大程度上是基于传统的北欧学术。在诗学中,Snorra Edda是核心,但古典学习的见解在第三和第四篇语法论文中被用来补充它。Snorri对哈塔尔和拉丁韵律的格律形式的描述之间的比较揭示了根本的差异。在北欧体系中,重点是头韵和押韵,但在拉丁语中,一个节奏是中心。此外,在语法论文中分别提出的语音术语和分析方面存在显著差异,前者提供了最尖锐的见解,而后者可能是最具原创性的,从音乐中寻求灵感。《第三篇论文》在语法部分显示了来自北欧学习和拉丁学说的输入,在其诗学方面是本土和古典学习的健康混合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Vernacular and classical strands in Icelandic poetics and grammar in the Middle Ages
Medieval Icelandic grammar and poetics based their analysis, to a great extent, on traditional Nordic scholarship. In poetics, Snorra Edda was central, but insights from Classical learning were used to supplement it in the Third and the Fourth Grammatical Treatises . A comparison between Snorri’s description of metrical form in Hattatal and Latin metrics reveals fundamental differences. In the Nordic system, the emphasis is on alliteration and rhyme, but in the Latin one rhythm is central. Furthermore, there are significant differences in the kind of phonological terminology and analysis presented in the grammatical treatises respectively, the First providing the sharpest insights, but the Second perhaps being the most original, seeking inspiration from music. The Third Treatise shows input from runic learning as well as Latin doctrine in its grammatical part, and a healthy mixture of native and Classical learning in its poetics.
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CiteScore
0.60
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7
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