{"title":"为文学、艺术和社会批评的思考者和幽默杂志","authors":"Esteban Da Ré","doi":"10.25025/perifrasis202314.28.01","DOIUrl":null,"url":null,"abstract":"Regarding the thoroughly discussed polemics between the Boedo and the Florida groups that took place in cultural magazines in the mid 20s, literary critique supports the idea that its display involved a certain distribution of serious and humoristic tones within argentine literary language, which would correspond, in turn, to the classical division between form and content. Whereas the “social art” by Boedo would have focused in seriously toned denunciation, grounded in the seriousness of the problems it addressed, the “art for art’s","PeriodicalId":40829,"journal":{"name":"Perifrasis-Revista de Literatura Teoria y Critica","volume":"31 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La revista Los Pensadores y el humor para la crítica de la literatura, el arte y la sociedad\",\"authors\":\"Esteban Da Ré\",\"doi\":\"10.25025/perifrasis202314.28.01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Regarding the thoroughly discussed polemics between the Boedo and the Florida groups that took place in cultural magazines in the mid 20s, literary critique supports the idea that its display involved a certain distribution of serious and humoristic tones within argentine literary language, which would correspond, in turn, to the classical division between form and content. Whereas the “social art” by Boedo would have focused in seriously toned denunciation, grounded in the seriousness of the problems it addressed, the “art for art’s\",\"PeriodicalId\":40829,\"journal\":{\"name\":\"Perifrasis-Revista de Literatura Teoria y Critica\",\"volume\":\"31 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Perifrasis-Revista de Literatura Teoria y Critica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25025/perifrasis202314.28.01\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Perifrasis-Revista de Literatura Teoria y Critica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25025/perifrasis202314.28.01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
La revista Los Pensadores y el humor para la crítica de la literatura, el arte y la sociedad
Regarding the thoroughly discussed polemics between the Boedo and the Florida groups that took place in cultural magazines in the mid 20s, literary critique supports the idea that its display involved a certain distribution of serious and humoristic tones within argentine literary language, which would correspond, in turn, to the classical division between form and content. Whereas the “social art” by Boedo would have focused in seriously toned denunciation, grounded in the seriousness of the problems it addressed, the “art for art’s