{"title":"《全球化背景下的音乐创作:20世纪和21世纪音乐史的新视角》,克里斯蒂安·乌茨著,劳伦斯·辛克莱·威利斯译。Bielefeld, Transcript Verlag, 2021, 527页","authors":"R. Hasegawa","doi":"10.7202/1088790ar","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":53890,"journal":{"name":"Circuit","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Musical Composition in the Context of Globalization: New Perspectives on Music History of the 20th and 21st Century, by Christian Utz, Translated by Laurence Sinclair Willis. Bielefeld, Transcript Verlag, 2021, 527 pages\",\"authors\":\"R. Hasegawa\",\"doi\":\"10.7202/1088790ar\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":53890,\"journal\":{\"name\":\"Circuit\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Circuit\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7202/1088790ar\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Circuit","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/1088790ar","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Musical Composition in the Context of Globalization: New Perspectives on Music History of the 20th and 21st Century, by Christian Utz, Translated by Laurence Sinclair Willis. Bielefeld, Transcript Verlag, 2021, 527 pages