今天想象希腊在这刻板印象和街头艺术和flâcontro-narrazioni(城市美元)

Q3 Social Sciences
Gilda Tentorio
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引用次数: 0

摘要

“希腊不存在”是米歇尔·格罗登特(Michel Grodent)的一篇文章(2000)的挑衅性标题,这表明有必要克服围绕希腊形象的所有偏见和刻板印象。这种反建构的观点在今天可能吗?本文的重点是一些具体的文化尝试,沿着这个方向。在简要概述了从热情到失望(理想化、旅游形象、佐巴神话、金融危机)的不同立场之后,它探讨了两个反叙事的例子:街头艺术,作为对霸权话语的另一种回应,以及城市的flflneries。特别是克里斯托斯Chryssòpoulos有趣的作品(《牙齿之间的手电筒》,2012年和《fl意识》,2015年),文本和摄影形成了辩证的一对,通过物质对象展示了雅典的当下。在这两种情况下,墙上的涂鸦和文学写真都暗示了一种新的视角——根据词源学,这是一种“启示录”的视角——它揭示了跳动、细节、微观世界和能够摧毁确定性和先入之见的新视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Immaginare la Grecia oggi, fra stereotipi e contro-narrazioni (street art e flânerie urbana)
“Greece doesn’t exist” was the provocative title of Michel Grodent’s essay (2000), suggesting the need to overcome all prejudices and stereotypes around the image of Greece. Is this perspective of de-construction possible today? This paper focuses on some specific cultural attempts, following this direction. After a brief overview of the different positions, from enthusiasm to disappointment (idealization, touristic image, the myth of Zorba, financial crisis), it explores two examples of counter-narratives: street art, as an alternative response to hegemonic discourse, and urban flâneries. In particular Christos Chryssòpoulos’ interesting works (Flashlight between Teeth, 2012 and The Flâneur Consciousness, 2015), where text and photography form a dialectic pair and show the present of Athens through its material objects. In both cases, wall-writing and literary photobooks suggest a new gaze – an “apocalyptic” one, according to the etymological root of the word – which reveals throbs, details, microcosms and new perspectives capable of destroying certainties and preconceptions.
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来源期刊
Languages Cultures Mediation
Languages Cultures Mediation Arts and Humanities-Language and Linguistics
CiteScore
0.30
自引率
0.00%
发文量
21
审稿时长
20 weeks
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