{"title":"19世纪苏格兰纸上粉彩的保存处理","authors":"Perrine LeSaux","doi":"10.1080/18680860.2020.1832758","DOIUrl":null,"url":null,"abstract":"Abstract A framed nineteenth century Scottish pastel portrait on paper by Sir Daniel MacNee, severely damaged after a fall, was analyzed and conserved at the Garman Art Conservation Department at Buffalo State College for a master's project by paper specialist student Perrine LeSaux. Conservation photography helped to document and analyze the extent of the damage and Beva 371 and Japanese tissue were used to stabilize the torn paper and restore stability to the work of art.","PeriodicalId":16666,"journal":{"name":"Journal of Paper Conservation","volume":"44 1","pages":"35 - 36"},"PeriodicalIF":0.0000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Conservation Treatment of Nineteenth Century Scottish Pastel on Paper\",\"authors\":\"Perrine LeSaux\",\"doi\":\"10.1080/18680860.2020.1832758\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract A framed nineteenth century Scottish pastel portrait on paper by Sir Daniel MacNee, severely damaged after a fall, was analyzed and conserved at the Garman Art Conservation Department at Buffalo State College for a master's project by paper specialist student Perrine LeSaux. Conservation photography helped to document and analyze the extent of the damage and Beva 371 and Japanese tissue were used to stabilize the torn paper and restore stability to the work of art.\",\"PeriodicalId\":16666,\"journal\":{\"name\":\"Journal of Paper Conservation\",\"volume\":\"44 1\",\"pages\":\"35 - 36\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Paper Conservation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/18680860.2020.1832758\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Paper Conservation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/18680860.2020.1832758","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Conservation Treatment of Nineteenth Century Scottish Pastel on Paper
Abstract A framed nineteenth century Scottish pastel portrait on paper by Sir Daniel MacNee, severely damaged after a fall, was analyzed and conserved at the Garman Art Conservation Department at Buffalo State College for a master's project by paper specialist student Perrine LeSaux. Conservation photography helped to document and analyze the extent of the damage and Beva 371 and Japanese tissue were used to stabilize the torn paper and restore stability to the work of art.