印度尼西亚现代运动中天主教堂的建筑

Rosalia Rachma Rihadiani, Ikaputra
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引用次数: 0

摘要

天主教堂建筑是建筑发展的一部分,尤其是在欧洲。欧洲标志性的天主教建筑的理性主义和密集性,让人怀疑近代运动时期的天主教建筑不是在欧洲发现的,而是出现在印度尼西亚等传教地区。1901年,威廉敏娜女王通过了道德政策,这是印度尼西亚现代风格建筑出现的一个驱动因素,其中包括天主教教堂建筑。象征和装饰是天主教教堂建筑的一部分;这与现代建筑的反装饰派相反。本研究着眼于1890年至1945年现代运动期间印度尼西亚天主教会的建筑。研究方法采用描述性定性和二手资料收集。结果表明,印度尼西亚天主教会在现代运动期间的建筑具有一个特征:立面上的几何形状,简单的符号和装饰以及三维屋顶。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The architecture of the Catholic Church in the modern movement in Indonesia
Catholic church architecture is part of the development of architecture, especially in Europe. The rationalism and density of iconic Catholic church buildings in Europe raise the allegation that the architecture of the Catholic church during the modern movement was not found in Europe but appeared in missionary areas, including Indonesia. Queen Wilhelmina adopted the ethical policy in 1901 was a driving factor for the emergence of modern-style buildings in Indonesia, including the Catholic church building. Symbols and ornaments are part of the architecture of the Catholic Church; this is contrary to the anti-ornament school of modern architecture. This research looks at the architecture of the Catholic Church in Indonesia during the 1890 - 1945 period of the modern movement. The research method used descriptive qualitative with secondary data collection. The results showed that the architecture of the Catholic Church in Indonesia during the modern movement had an identity: geometric shapes on the facade, simple symbols and ornaments and a three-dimensional roof.
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